Quilt for Mom

As I mentioned in a previous post, my bright idea for Christmas gifts was to make coordinating quilts for my mom and dad. Dad’s was shipped and arrived at the beginning of March. Since then, it’s been keeping him—and the occasional visitor—toasty warm.

In April, I finished Mom’s quilt and delivered it to her in person. It’s the same pattern and has the same background as Dad’s quilt, but I made it with the Kaffe Fassett fabrics my mom loves.

I actually started Mom’s quilt first, so I have some of process shots to share. The block pattern I used is Falling Triangles. The tutorial in the link starts with two 10-inch squares of fabric for the quarter square triangles, but I made mine with 8-inch squares, which resulted in 6-inch finished blocks once the additional background strips were sewn on.

I made 84 blocks for the quilt center, 7 across and 12 down. With most of the fabrics, I cut just one 8-inch square, resulting in 4 blocks of that fabric. For other fabrics, I cut two squares. I didn’t end up using all the blocks I made, however.

Many of the fabrics were pulled from my stash; I bought the two polka-dot fabrics, the stripe, and a couple others to round out the selection.

Once I had the layout set, I had a hard time keeping my triangles oriented correctly as I sewed. So I marked every other one with a V for vertical, which made sense at the time.

With the center sewn, I added a border of squares and rectangles using all the center fabrics. The math didn’t turn out right to have all 4-inch (finished) squares, so I threw in a few 2 x 4-inch (finished) rectangles to make it work.

Next I added a border of the background to bring things down a notch. And then I amped it back up with the border fabric. It turned out so bright and fun!

Rather than try to quilt this giant quilt (it ended up being about 70 x 100 inches) myself, I asked Holly Seever to longarm it for me. She and I talked a bit about what I had in mind, and then Holly came back with a plan.

She quilted swirls with tails all over the center, Xs and figure 8s on the squares and rectangles, smaller swirls in the background border, and finally, feathers with swirls on the border.

The quilting looks great on the back, too. For that I used a Kaffe Fassett wide fabric and some leftover fabrics from the front. (A note of warning about wide/backing fabrics: Since the fabric is around 108 inches wide [instead of the usual 42 inches], the fabric has to be folded more times to fit on a similar size bolt. That folding makes it harder to cut a straight cut of fabric. Tearing the fabric [with the grain] would result in straight edges, but cutting can get really skewed. In fact, Holly said this backing was skewed about 10 inches, so she had to be careful of how she loaded it on her longarm.)

I bound the quilt with the border fabric. And, of course, added a quick label, too.

Even though Mom is a quilter herself, she appreciated having a quilt made just for her. And I enjoyed making it for her. I had never made a quilt with fabrics from just one designer, so it was fun to see how well they went together even though they were designed years apart. Even the backing fabric has many of the exact colors as the binding fabric.

 

February Hive Doings

myhiveblocks4At the February meeting of the Cincinnati Modern Quilt Guild, the members of my Hive gave me the blocks they made. (Read all about the Hive Swap and my quilt blocks here.) It was so fun to see how everyone’s blocks turned out! Christy did some major fussy cutting on the blocks above.myhiveblocks3As did Abby, who managed to work in some book fabric in the left-hand block and the word “Wisconsin.” Pretty cool.

myhiveblocks2

myhiveblocks1All of the blocks turned out great. And the good news is there’s more to come. Three people weren’t able to get their blocks to me in February, so I’ll have Scrappy Improv blocks coming for the next few months. Once I get them all, the quilt should come together very quickly (one would think, anyway).

At the meeting, my Hive received our instructions for the February block. Yo is the February Hive Queen, and she designed her block. She provided instructions for it and asked that the wider fabric be a large print and the narrower fabric be a solid.

febhiveblock

I tried to use colors that I thought were in Yo’s typical palette, which isn’t really my typical palette. So that’s always a gamble. But hopefully she likes it!

Quilt for Dad

dadquilt2Back in November, I decided to make quilts for both my mom and my dad for Christmas. In November. For Christmas. Yeah, that was a bit ambitious. I decided to use the same block—falling triangles— for each and the same background fabric, a batik from Me+You. But for Mom’s quilt I used Kaffe Fassett fabrics in bright reds, pink, and purples. And for Dad’s quilt I used blues.

Dad and I have a long history of blue. His eyes are clear blue, and I can’t help but give him blue shirts for gifts to set off his eyes. I can’t even tell you how many blue shirts I’ve given that man over the years. A lot. Plaid shirts, denim shirts, a very occasional striped shirt if it’s not too flashy. A lot of blue shirts. So when it came time to choose a color for his quilt, of course it would be blue. And because I’m a bit of a blue girl myself, every fabric came from my stash.

dadquilt5

Come Christmas morning, Mom opened up a bright, colorful quilt top (more to come on that one in a later post). And Dad opened a partial top made with blue fabrics. The look in those blue eyes when he opened that partial quilt was pretty priceless. You see, despite my mom being a quilter, he had only one quilt that was his own, and it was on its last legs. He really needed a new quilt.

So, while my plan had been to finish Mom’s quilt first, Dad’s got moved to the front of the line. He didn’t want the quilt as large as I had intended to make it (he just wanted a nap quilt rather than a bed quilt), so that was easy. And he didn’t want cotton batting, which isn’t quite warm enough for a Wisconsin winter nap. After a bit of discussion, Mom and I decided I should try wool batting.

I brought the two quilts home from Christmas and started working again on Dad’s. The center of the quilt was done, so I just added the scrappy border. For the back I used a few pieces larger pieces of fabric from the front.

dadquilt6

I pin baste my quilts, and basting the wool batting was a breeze. That batting stuck to the fabric like nothing I’d ever seen, so there was no shifting of the layers while I basted.

And quilting it was a lot easier than I thought, too. Wool is very lightweight, so it was easier to move around my domestic sewing machine than cotton quilts of that size. Wool batting is lofty, and so the quilt is puffier than a cotton quilt, too.

dadquilt4I kept the quilting very minimal, just echo quilting the triangles and a square design in the border. It was the fastest way to quilt it, in my mind, and honestly, I knew Dad wouldn’t care too much about the quilting.

dadquilt8And I added a label, of course.

dadquilt7

A few technical notes about the quilt: I used 8″ squares for the falling triangle blocks instead of the 10″ squares in the tutorial. This resulted in the 6.5″ blocks that I used in the quilt. The quilt finished at 61″ wide and 77.5″ high.

dadquilt3When I washed the quilt, the fabric (which I hadn’t prewashed) shrunk up and made the quilt extra crinkly and puffy.

dadquilt_washedThe quilt should arrive today—a bit late for Christmas and a bit late for his birthday, but hopefully in time for some more winter naps.

Scrappy Improv Blocks Tutorial

improv10As 2017 begins, so does the next Bee Hive Swap at the Cincinnati Modern Quilt Guild. The hive has eleven members, and each month one member presents a block. The other members of the hive make the block and give it to the member who presented it at the next meeting. I learned so much last time, making blocks that I wouldn’t think to make for myself, so I signed up again this year. And I was selected to lead it off by presenting my blocks at the January meeting!

I struggled to come up with a block that I liked, so I kind of came up with two of my own. These blocks are scrappy and improv-y, and the common fabric that I supplied will help to give the quilt a cohesive look. Below are instructions if you’d like to make these blocks yourself.

Materials for two 12½˝ blocks

  • Fabric scraps at least 4˝ long
  • 1 square 6½˝ × 6½˝ neutral fabric for Block A
  • 2 strips 3½˝ × 6½˝ neutral fabric for Block B
  • 2 strips 3½˝ × 12½˝ neutral fabric for Block B

improv11. Cut scrap fabric into pieces about 4˝ long and various widths between ¾˝ and 2˝. Feel free to cut these without a ruler for a more improv look. Sew pieces long edges together. Again, feel free to sew in an improv fashion, following the lines of the cut edges. Press the seams to the side, but either side is fine.

improv2a2. Continue to sew strips together. After you have 4 or 5 pieces together, spray with starch or a product like Flatter to keep the sewn strip flat.

improv33. You’ll need a total of 51˝ of sewn strips to make both blocks, but I recommend making multiple strips, rather than one really long one. See strip lengths below. Trim the sewn strips to 3½˝ wide.

Block A

improv44. Sew two 3½˝ wide scrappy strips to the top and bottom of the neutral 6½˝ square. Trim ends. Press seams to the center.

improv5As you can see, the back is tidy, but the strip seams aren’t all going in the same direction. That’s just fine.

imrpov65. Sew two trimmed scrappy strips at least 12½˝ long to the sides of the 6½˝ square. Press seams to center. Trim to 12½˝ square.

Here’s what one of my longer strips looked like before I trimmed it to 3½˝. It’s getting a little crooked already, making trimming to 3½˝ wide tricky. That’s why I don’t recommend trying to sew one strip the full 51˝ long.

 

improv7Block A is complete.

Block B

improv86. Cut two trimmed scrappy strips 6½˝ long. Sew these long edges together for the center of Block B.
7. Sew one neutral 3½˝ × 6½˝ strip to the top of the pieced center and one to the bottom. Press seams toward the neutral fabric.
8. Sew one neutral 3½˝ × 12½˝ strip to each side of the center. Press seams toward neutral fabric.

improv9Block B is complete.

Once I get all the blocks from my hive members, I plan to alternate the A and B blocks for the finished top. I can’t wait to see how the blocks turn out!

Christmas 2016: Gifts Given and Received

tattoosHappy 2017, everyone! Before I start blogging about new projects, let’s do a bit of catching up from over the holidays.

Greg and I traveled up to Wisconsin to spend time with my family for Christmas. It was fun and busy with lots of game-playing and food-making. Christmas eve day was a bit slow around the house, so I let my niece Stella open one of my gifts for her: tattoo markers!

Tattoo-U markers allow budding tattoo artists to draw images on skin. The drawings wash off easily at first, but once the images set for about three hours, it takes a bit of scrubbing to remove them.

The first tattoo I received from Stella was a lovely rainbow with purple clouds. She wrote the S in the center when I asked her to sign it.

rainbow-tattoo

For my second tattoo, I asked for one of her fancy lady drawings. She drew her with red hair just for me.

lady-tattooOther family members received tattoos of Christmas trees, video game controllers, and more. I love getting gifts for that sweet, creative girl.

We didn’t exchange names this year among the sisters and husbands. Instead we were to bring a gender-specific gift valued at about $15. Since all the females in the mix were my sisters, I wanted to make something family-centric that any of them would enjoy. After a good bit of brainstorming, I finally came upon the idea of making a mug rug featuring The Horse We Forgot.

When we were little, my dad got my sisters and me a horse named King. With four daughters, how could a horse not be a huge hit? Well, none of us really took to the horse. And he kept getting out while my dad was at work, so Mom wasn’t too crazy about him either. Before long, King got shipped off to my grandfather’s farm where he lived a happy life being ridden by my cousins.

One day when we were in our twenties, we were sitting around, talking with my brother-in-law Craig, and someone said, “Didn’t we have a horse once?” After a good bit of discussion, we were 90% sure that yes, we did have a horse at one time. Craig, of course, could not believe anyone would forget having a horse. But we had.

Since then, it’s been a bit of a running joke. So I decided to make King the focus of my sister Christmas gift. I found a paper-pieced horse pattern and tracked down a picture of King for color reference. (Note: While it appears not to be the case, King did, in fact, have four legs.)

chrissy-and-our-horseI put the block together with fabrics from my stash. And then I embroidered “Never forget” at the top.

king_paperpiecingI quilted it with some simple lines and tried to make the words pop a bit more.

king-mug-rugFor the backing, I used a cool horse print that Mom and I got during my tour of Wisconsin fabric stores in October.

king_backMy youngest sister, Jenny, ended up with the gift. Unfortunately, she didn’t quite get the joke because she had forgotten, again, that we’d had a horse.

On the receiving side of things, my Mom did a little fabric shopping for me! One of the women at the OHCraft Sew-In this year got this Carolyn Friedlander layer cake, and I was totally jealous, so I was pretty excited to open it on Christmas morning along with other fun fabrics.

fabricAnd my silent-auction-loving sister, Carrie, gave me this pretty (and super soft) cowl.

cowlIn upcoming blog posts, I’ll share with you the quilts I gave to my Mom and Dad for Christmas. (Well, Mom got a quilt top, and Dad got a partial quilt top.) Plus I’m hoping to have those quilts displayed on the super fancy quilt photography rack I got from Greg.

Medallion Charity Quilt Top

medallion_chairI spent the last weekend in October at the annual OHcraft Sew-In, held this year at General Butler State Park in Carrollton, Kentucky. OHcraft is a group of sewing enthusiasts from Ohio, as well as Northern Kentucky and other surrounding states. The sew-in was organized by the awesome Kara Sanders and included swaps, a fabric destash table, and lots and lots of time to sew.

My main objective for the weekend was to work on a medallion quilt for Project Linus. I hadn’t done a medallion quilt before, and I decided a bright child’s quilt would be the place to start.

A medallion quilt is one with a central motif surrounded by borders that are either pieced or just one fabric. In the sketch that I drew, the central motif is actually several pinwheel blocks, followed by a round a four-patches, a round of flying geese, and finally, a plain fabric border.

medallion_sketchBefore the sew-in, I cut the pieces for the pinwheels, four-patches, and flying geese using bright colors from my stash and a zigzag fabric I was hoping to use up. Then I got down to sewing.

medallion_fourpatchesThe pinwheels came together easily using half-square triangles. Next, I made up the four-patches using that zigzag fabric. I grossly overestimated the number of four-patches I would need, so I had a lot of these left over. With the four-patches on, I squared up the quilt. Squaring up after each round is important to ensure the quilt maintains the intended shape. It’s easy to get those border strips out of whack.

medallion_geeseThe flying geese came next. I cut my goose fabric so that I could make a majority of the geese using the no-waste method. But because that makes four geese from one fabric, I created some single geese, too, to ensure I had the fabric variety I wanted.

As I was adding the geese, I realized that my design meant that all the geese seams really needed to match up with all the four-patch seams. That turned out to be a lot of seam matching.

Somehow, getting that far took me all afternoon and evening on Friday and most of the day on Saturday. Much, much longer than I had anticipated. Plus my geese points were butchered and the whole thing was looking pretty chaotic to me. So I put that project away for the rest of the weekend and picked it up this past weekend. My plan had been to just add a border of the zigzag fabric at this point, but that wasn’t working for me. So first I added a border of orange to try to calm things down.

medallion_orangeborderI would have liked to stop here, but the quilt was less than 40 inches wide at this point, and I wanted it to be bigger so a child could really wrap up in it. The zigzag border still wasn’t working for me, so I dug into my stash and found a fabric that to me looks like impressionistic Teenage Mutant Ninja Turtles.

medallion_border-fabricThat fabric is pretty chaotic, too, but I liked that it was darker and gave some weight to the final border. The quilt top is now about 48 x 60 inches.

medallion_topI had a ton of that border fabric, so I used it on the back of the quilt as well. That’s where I used up all those extra four-patches, too.

medallion_backNext up is the quilting. My plan is to use straight lines of quilting to help make the center and rounds stand out from each other. I’d love to get this one finished by the end of the year, but we’ll see how that plays out . . .

 

Finished Quilt of Valor

qov-quilt-smallThe quilt I made for the Quilts of Valor program is finished! As you may recall, back in March, I pledged that 2016 was the year I was going to make a quilt for this program. Seven months later, it has come to pass—not too shabby!

When last I posted about this quilt, the top was complete. Since then, I made a back for the quilt with a blue and white stripe fabric and a red and white polka dot. I knew I wanted the quilting to be more intricate than I usually do for my quilts, so I asked Holly Seever from the Cincinnati Modern Quilt Guild if she’d be willing to take on the job.

Holly has long been wowing the guild with the quilting she does on her domestic machine, but she recently purchased a longarm machine and began taking on projects for other quilters. I wanted to keep the star theme going in the quilting and suggested maybe adding some red thread, too. Other than that, I left the quilting design up to Holly.

I couldn’t have been more pleased with what she did.

qov-quilting-3

Each of the star blocks had this same quilting pattern. I love the swirls and pebbles in the corners. And it looks even more amazing on the blocks with the blue backgrounds.

qov-quilting-1-small

The blue fabric looks completely different with the quilting, which I think is pretty cool.

qov-quilting-2

And she quilted the same star design in the plain white squares using that red thread we talked about. I think that adds just the right amount of color.

qov-quilting-back

And the quilting looks super cool on the back of the quilt, too.

With the quilt expertly quilted, I added the binding—a red solid to go with that red thread.

qov-binding

Next, the quilt needed a label. The Quilts of Valor program requires that each quilt have a label that includes all of the following: the name of the person who made the quilt, the name of the person who quilted it, the name of the program, and space to write in the name of the recipient and the date it was received. The great thing is, QoV provided a link to Modern Yardage, where they sell labels for just this purpose. There were several to choose from, and even with shipping, the cost was less than $2. I really appreciated this convenience.

qov-label

I’m not thrilled that the backing fabric shows through the label, but I tried to line up the label information spaces with the stripes of the fabric so it looks kind of intentional.

Finally, each Quilt of Valor needs a presentation case. Many of these are simply pillowcases made in coordinating fabric, which was easy enough to do. I used a star fabric that didn’t make it into the quilt for the body of the case and used leftover fabric from the quilt for the trim and cuff. I followed the burrito (or sausage) method for making the pillowcase using a tutorial from The Seasoned Homemaker.

qov-case-small

The tutorial was very easy to follow. And it even included fancy French seams (no raw edges) on the interior!

qov-case-french-seam

With the quilt finished and labeled and with the presentation case made, I requested a destination for my quilt from Quilts for Valor. Within a day, I received a note asking me to send the quilt to the Warrior Transition program at Fort Campbell, Kentucky. Here, soldiers who are med boarded out (meaning they don’t return to their previous duties due to medical issues) are shown several quilts, and they can choose one to take home with them. The director of the program said, “I never see a Soldier leave my office with one that doesn’t have a tear in their eye.”

qov-quilt-angle-small

So I shipped the quilt there on Monday. I know it will find a good home soon.

Remaining Hive Blocks

Snowball finishedThe Cincinnati Modern Quilt Guild Bee Hive Swap continued over the summer, and in fact, at tonight’s meeting we hand off the last of the blocks for this session. I’m going to miss making these blocks each month. Each one was an interesting challenge and opened my eyes to new techniques and block styles. Here’s a rundown of the last three blocks I worked on.

Wanta Fanta Block

Becky found this block on the Blossom Heart Quilts blog. Becky provided the white fabric and asked us to use a different fabric print for each of the other pieces, for a completely scrappy look. The block is composed of four small blocks, two of which are pieced and two of which are paper-pieced.

Snowball2

Snowball1

When you put the four blocks together, they form the block at the top of this post. And when you put more of those blocks together, you get a cool curved effect even though all the blocks are made with straight lines.

Unfortunately, to get that effect, your piecing needs to be pretty accurate. Mine was not on the first try.

Snowball error

I fixed that oops. It’s still not perfect, but hopefully it will work well enough.

Four-Pointed Star

4_pointed-star-shona

Next up is the Four-Pointed Star Shona asked us to make. She asked that we use a printed fabric as the background and a solid fabric for the star. It’s an improvisational block, so the instructions were pretty loose. Each quarter of the block has two rectangles that are placed at an angle to create halves of two different points.

4_pointed-star-detail

My greatest challenge for this one was figuring out where to place the rectangles so all the background fabric pieces ended up right-reading. That did make my brain hurt a bit.

18 Half-Square Triangles

Finally, for this month, Jeanie asked us just to make 18 half-square triangles using a print fabric and a contrasting solid. She even provided instructions for a quick method to make them.

18hst_1

Cut 9-inch squares from each fabric. Draw horizontal and vertical lines at 3 inches and 6 inches.

18hst_2

Then draw horizontal lines in one direction through all the squares.

18hst_3

Layer the two fabrics right sides together. Then sew 1/4 inch from the diagonal lines, sewing on each side of the lines.

18hst_4

Cut on the horizontal and vertical lines (top row). Then cut on the diagonal lines and press open. Each square results in two half-square triangles.

18hst_5

And that results in 18 half-square triangles! Jeanie then asked us to trim these to 2.5 inches. For some reason, I have trouble with half-square triangles, and for most methods I have to cut my fabric larger to begin with in order to get the correct size finished pieces. But I was able to trim all of these to the right size with no problem!

You can catch up on my other Hive activity here, here, here, and here. There’s talk of starting a new Bee Hive Swap in January, and if that happens, I am in!

Patchwork: The Game

patchwork_box-coverGreg and I were recently in the market for a new game to play after dinner. Rack-O and Yahtzee were getting old, so we went online for recommendations for two-person games. And it was then that we discovered Patchwork.

Given my affinity for quilting, the game seemed worth trying, but the reviews were all very positive as well. So we ordered it off Amazon and gave it a try.

It is dorktastic—super dorky, no doubt, but also really fun and challenging. I love it. And not just because the person who last used a needle gets to go first (did I mention it was dorky?).

patchwork_gamestartThe goal is to earn buttons—the currency of the game—in order to purchase fabric pieces to fill your quilt board. At the start of the game, each players gets five buttons.

patchwork_pieceshapesThe fabric pieces are similar to those in Tetris or Blokus, so part of the challenge is to purchase the pieces that fit together most efficiently to fill your board.

patchwork_gameboardThe players take turns moving around the game board. If you land on a space that touches a button, you get a button payout, earning more buttons for purchasing fabric pieces. If you land on a space that touches a leather patch, you get that patch to fill in a single space on your quilt board. Disclaimer: I do not approve of the use of leather patches on actual quilts. Or the use of buttons, for that matter.

patchwork_myfinalboardAt the end of this particular game, this is what my board looked like. I had earned a lot of buttons along the way, but I also had a lot of empty spaces. You need to deduct two points for each empty space, so I had a big deduction in this game.

patchwork_gregboardGreg, on the other hand, had very few empty spaces (in fact, I’m guessing this was a record for us). He ended up winning the game by ten points/buttons.

The game goes very quickly—usually about 20 minutes. I like that there’s a lot of different things to consider as you play. It really does take some strategy to figure out how to earn the most buttons and get the pieces you need for your board. And there’s an element of luck to it, too, because only certain pieces are available for you to purchase on each turn.

Even if you’re not a quilter, I highly recommend Patchwork as a fun, two-person game. If you’re not a quilter, though, I’m not sure who would go first, but I’m sure you’ll figure something out.

Shark Block #2

Sharkblock#2Funny. I hadn’t intended to take the summer off from blogging. A few different family vacations, a little surgery, and two months have flown by.

I’m going to ease back into the swing of things with this shark block that I made for a quilt that the Cincinnati Modern Quilt Guild and OHCraft group are putting together for one of our members. She could use some quilted love, and she loves pirates, so a pirate quilt it is!

As you may recall, I made this block previously for a CMQG Round Robin and then turned it into a wall hanging for my niece. This time I used a few printed fabrics (although not for the sharkiest parts—the eye and mouth—which I think need to be solid), and I really liked the way it turned out. I kind of think all sharks should have word searches on their bellies.

The block is one I purchased from Craftsy. I was surprised by how easily it went together this time. Don’t get me wrong—I still had to unsew a lot of seams. But somehow the flow was better and not nearly as frustrating.

So far, the quilt also has several ship blocks that use pirate-printed fabric, a paper-pieced crab with an eye patch, and a sea turtle, and the words “yo ho ho.” Hopefully this block and all the others will help our fellow member feel the love.