February Hive Doings

myhiveblocks4At the February meeting of the Cincinnati Modern Quilt Guild, the members of my Hive gave me the blocks they made. (Read all about the Hive Swap and my quilt blocks here.) It was so fun to see how everyone’s blocks turned out! Christy did some major fussy cutting on the blocks above.myhiveblocks3As did Abby, who managed to work in some book fabric in the left-hand block and the word “Wisconsin.” Pretty cool.

myhiveblocks2

myhiveblocks1All of the blocks turned out great. And the good news is there’s more to come. Three people weren’t able to get their blocks to me in February, so I’ll have Scrappy Improv blocks coming for the next few months. Once I get them all, the quilt should come together very quickly (one would think, anyway).

At the meeting, my Hive received our instructions for the February block. Yo is the February Hive Queen, and she designed her block. She provided instructions for it and asked that the wider fabric be a large print and the narrower fabric be a solid.

febhiveblock

I tried to use colors that I thought were in Yo’s typical palette, which isn’t really my typical palette. So that’s always a gamble. But hopefully she likes it!

Quilt for Dad

dadquilt2Back in November, I decided to make quilts for both my mom and my dad for Christmas. In November. For Christmas. Yeah, that was a bit ambitious. I decided to use the same block—falling triangles— for each and the same background fabric, a batik from Me+You. But for Mom’s quilt I used Kaffe Fassett fabrics in bright reds, pink, and purples. And for Dad’s quilt I used blues.

Dad and I have a long history of blue. His eyes are clear blue, and I can’t help but give him blue shirts for gifts to set off his eyes. I can’t even tell you how many blue shirts I’ve given that man over the years. A lot. Plaid shirts, denim shirts, a very occasional striped shirt if it’s not too flashy. A lot of blue shirts. So when it came time to choose a color for his quilt, of course it would be blue. And because I’m a bit of a blue girl myself, every fabric came from my stash.

dadquilt5

Come Christmas morning, Mom opened up a bright, colorful quilt top (more to come on that one in a later post). And Dad opened a partial top made with blue fabrics. The look in those blue eyes when he opened that partial quilt was pretty priceless. You see, despite my mom being a quilter, he had only one quilt that was his own, and it was on its last legs. He really needed a new quilt.

So, while my plan had been to finish Mom’s quilt first, Dad’s got moved to the front of the line. He didn’t want the quilt as large as I had intended to make it (he just wanted a nap quilt rather than a bed quilt), so that was easy. And he didn’t want cotton batting, which isn’t quite warm enough for a Wisconsin winter nap. After a bit of discussion, Mom and I decided I should try wool batting.

I brought the two quilts home from Christmas and started working again on Dad’s. The center of the quilt was done, so I just added the scrappy border. For the back I used a few pieces larger pieces of fabric from the front.

dadquilt6

I pin baste my quilts, and basting the wool batting was a breeze. That batting stuck to the fabric like nothing I’d ever seen, so there was no shifting of the layers while I basted.

And quilting it was a lot easier than I thought, too. Wool is very lightweight, so it was easier to move around my domestic sewing machine than cotton quilts of that size. Wool batting is lofty, and so the quilt is puffier than a cotton quilt, too.

dadquilt4I kept the quilting very minimal, just echo quilting the triangles and a square design in the border. It was the fastest way to quilt it, in my mind, and honestly, I knew Dad wouldn’t care too much about the quilting.

dadquilt8And I added a label, of course.

dadquilt7

A few technical notes about the quilt: I used 8″ squares for the falling triangle blocks instead of the 10″ squares in the tutorial. This resulted in the 6.5″ blocks that I used in the quilt. The quilt finished at 61″ wide and 77.5″ high.

dadquilt3When I washed the quilt, the fabric (which I hadn’t prewashed) shrunk up and made the quilt extra crinkly and puffy.

dadquilt_washedThe quilt should arrive today—a bit late for Christmas and a bit late for his birthday, but hopefully in time for some more winter naps.

Scrappy Improv Blocks Tutorial

improv10As 2017 begins, so does the next Bee Hive Swap at the Cincinnati Modern Quilt Guild. The hive has eleven members, and each month one member presents a block. The other members of the hive make the block and give it to the member who presented it at the next meeting. I learned so much last time, making blocks that I wouldn’t think to make for myself, so I signed up again this year. And I was selected to lead it off by presenting my blocks at the January meeting!

I struggled to come up with a block that I liked, so I kind of came up with two of my own. These blocks are scrappy and improv-y, and the common fabric that I supplied will help to give the quilt a cohesive look. Below are instructions if you’d like to make these blocks yourself.

Materials for two 12½˝ blocks

  • Fabric scraps at least 4˝ long
  • 1 square 6½˝ × 6½˝ neutral fabric for Block A
  • 2 strips 3½˝ × 6½˝ neutral fabric for Block B
  • 2 strips 3½˝ × 12½˝ neutral fabric for Block B

improv11. Cut scrap fabric into pieces about 4˝ long and various widths between ¾˝ and 2˝. Feel free to cut these without a ruler for a more improv look. Sew pieces long edges together. Again, feel free to sew in an improv fashion, following the lines of the cut edges. Press the seams to the side, but either side is fine.

improv2a2. Continue to sew strips together. After you have 4 or 5 pieces together, spray with starch or a product like Flatter to keep the sewn strip flat.

improv33. You’ll need a total of 51˝ of sewn strips to make both blocks, but I recommend making multiple strips, rather than one really long one. See strip lengths below. Trim the sewn strips to 3½˝ wide.

Block A

improv44. Sew two 3½˝ wide scrappy strips to the top and bottom of the neutral 6½˝ square. Trim ends. Press seams to the center.

improv5As you can see, the back is tidy, but the strip seams aren’t all going in the same direction. That’s just fine.

imrpov65. Sew two trimmed scrappy strips at least 12½˝ long to the sides of the 6½˝ square. Press seams to center. Trim to 12½˝ square.

Here’s what one of my longer strips looked like before I trimmed it to 3½˝. It’s getting a little crooked already, making trimming to 3½˝ wide tricky. That’s why I don’t recommend trying to sew one strip the full 51˝ long.

 

improv7Block A is complete.

Block B

improv86. Cut two trimmed scrappy strips 6½˝ long. Sew these long edges together for the center of Block B.
7. Sew one neutral 3½˝ × 6½˝ strip to the top of the pieced center and one to the bottom. Press seams toward the neutral fabric.
8. Sew one neutral 3½˝ × 12½˝ strip to each side of the center. Press seams toward neutral fabric.

improv9Block B is complete.

Once I get all the blocks from my hive members, I plan to alternate the A and B blocks for the finished top. I can’t wait to see how the blocks turn out!

Christmas 2016: Gifts Given and Received

tattoosHappy 2017, everyone! Before I start blogging about new projects, let’s do a bit of catching up from over the holidays.

Greg and I traveled up to Wisconsin to spend time with my family for Christmas. It was fun and busy with lots of game-playing and food-making. Christmas eve day was a bit slow around the house, so I let my niece Stella open one of my gifts for her: tattoo markers!

Tattoo-U markers allow budding tattoo artists to draw images on skin. The drawings wash off easily at first, but once the images set for about three hours, it takes a bit of scrubbing to remove them.

The first tattoo I received from Stella was a lovely rainbow with purple clouds. She wrote the S in the center when I asked her to sign it.

rainbow-tattoo

For my second tattoo, I asked for one of her fancy lady drawings. She drew her with red hair just for me.

lady-tattooOther family members received tattoos of Christmas trees, video game controllers, and more. I love getting gifts for that sweet, creative girl.

We didn’t exchange names this year among the sisters and husbands. Instead we were to bring a gender-specific gift valued at about $15. Since all the females in the mix were my sisters, I wanted to make something family-centric that any of them would enjoy. After a good bit of brainstorming, I finally came upon the idea of making a mug rug featuring The Horse We Forgot.

When we were little, my dad got my sisters and me a horse named King. With four daughters, how could a horse not be a huge hit? Well, none of us really took to the horse. And he kept getting out while my dad was at work, so Mom wasn’t too crazy about him either. Before long, King got shipped off to my grandfather’s farm where he lived a happy life being ridden by my cousins.

One day when we were in our twenties, we were sitting around, talking with my brother-in-law Craig, and someone said, “Didn’t we have a horse once?” After a good bit of discussion, we were 90% sure that yes, we did have a horse at one time. Craig, of course, could not believe anyone would forget having a horse. But we had.

Since then, it’s been a bit of a running joke. So I decided to make King the focus of my sister Christmas gift. I found a paper-pieced horse pattern and tracked down a picture of King for color reference. (Note: While it appears not to be the case, King did, in fact, have four legs.)

chrissy-and-our-horseI put the block together with fabrics from my stash. And then I embroidered “Never forget” at the top.

king_paperpiecingI quilted it with some simple lines and tried to make the words pop a bit more.

king-mug-rugFor the backing, I used a cool horse print that Mom and I got during my tour of Wisconsin fabric stores in October.

king_backMy youngest sister, Jenny, ended up with the gift. Unfortunately, she didn’t quite get the joke because she had forgotten, again, that we’d had a horse.

On the receiving side of things, my Mom did a little fabric shopping for me! One of the women at the OHCraft Sew-In this year got this Carolyn Friedlander layer cake, and I was totally jealous, so I was pretty excited to open it on Christmas morning along with other fun fabrics.

fabricAnd my silent-auction-loving sister, Carrie, gave me this pretty (and super soft) cowl.

cowlIn upcoming blog posts, I’ll share with you the quilts I gave to my Mom and Dad for Christmas. (Well, Mom got a quilt top, and Dad got a partial quilt top.) Plus I’m hoping to have those quilts displayed on the super fancy quilt photography rack I got from Greg.

Zippered Pouch Swap

Last night was the Cincinnati Modern Quilt Guild holiday party, and part of that was the Zippered Pouch Swap. We were assigned a fellow guild member to make a zippered pouch for back in October, and we received a list of the kinds of fabrics they like and ideas for a few small gifts to put in the zippered pouch.

I was to make a pouch for Natalie, who said she likes “bright colors, some Moda Christmas, Cotton + Steel, and Riley Blake.” She also likes Russell Stover Chocolate Marshmallow Santas.

zippered-pouch-swapSo I picked up some Cotton + Steel Christmas fabric at Fiberge and used the Noodlehead Gathered Clutch tutorial. The band is an older Amy Bulter fabric from my stash that I thought added a bit of festivity to the pouch. I packed the pouch with a seam ripper, a fancy chocolate bar, a fat quarter, and of course, a Russell Stover Chocolate Marshmallow Santa (which has already been consumed as of this writing).

In return, I received a pouch and goodies from Abby. Poor Abby saw my post about selling zippered pouches, and I think she may have felt backed into a corner as to what style pouch to make for me (sorry about that, Abby).

zippered-pouch-swap2She made a super cute Petal Pouch, also a Noodlehead pattern, and included pins, lip balm (which is propping up the pouch in this photo) and some great items for my hexie obsession. The pre-cut fabric squares are just the right size for my 1-inch hexie templates. And the fabric glue pen will make basting a snap. Neither of these handy items ever occurred to me, so thank you, Abby!

zippered-pouch-swap3Here’s a close-up of the pouch. I love the metal zipper and the classy leather strip she added as a pull. The purse that I’m working on for winter doesn’t have as many zippered pockets as I’m used to, so this little guy is going to be perfect.

The party was a potluck, and I brought my favorite Texas Caviar, which has an unusual, sweet dressing. Here’s the recipe for Annie and anyone else who may be interested.

Texas Caviar

2 cans shoepeg corn, drained

1 can black-eyed peas, rinsed

1 can sliced olives, drained

2 cups chopped bell peppers, mix of red, yellow, and green

1 cup chopped green onions

1 cup chopped celery

1 cup vegetable oil

1 cup sugar

1 cup apple cider vinegar

Combine vegetable oil, sugar, and vinegar in a medium saucepan. Bring to a boil over medium heat. Let cool.

Combine all other ingredients in a large bowl. Add cooled dressing mixture and marinate overnight.

Drain dressing mixture and serve with Frito scoops.

Recipe courtesy of Corrie, a former co-worker

 

Charley Harper Coloring Cards

harper-birdsIf you’re looking for a gift for a creative type or anyone who likes to color, I’d like to suggest Charley Harper Birds Color Cards. I bought this pack at a park gift shop earlier this year, and I love them.

They cards come in a metal tin, and I’ll buy just about anything that comes in a metal tin. The paper is very nice quality and the printing is nice and bold. I like, too, that it comes with photos of the original bird images.

harper-birds-2

I use my trusty colored pencils for coloring, but they come with a pack of crayons, too. I find that I use them when I want to put in a bit more effort than a regular greeting card, maybe for someone who is sick or feeling blue. There’s even a place on the back of the card for your signature!

EnterTRAINment Junction

ej_9Greg and I were looking for something fun to do the Wednesday afternoon before Thanksgiving. He had the afternoon off, and we hated to waste it. In brainstorming, the fact that I needed to get my glasses adjusted came up. My eye doctor is up in Mason, so it’s a bit of a trek and not that fun. But then I remembered the signs I see each time I go for a place called EnterTRAINment Junction. Now that sounded fun!

Since it was our first time, I purchased the Do-It-All package, which included the Train Journey, A-Maze-N Funhouse, and the special Christmas events.

We started out with the Train Journey, the main attraction of which was an amazing model train setup. It was huge. There were three separate displays showing different time periods in train history.

ej_14The first period was the 1860s. The displays were filled with interesting details and there was a list of items to find in the displays to encourage you to really look at them closely.

ej_1I loved the color of this little house, and that bear on the rock in the river was one of the items to find. The trains are all G-scale (1/24th of actual size), so all the houses and features were nice and big.

ej_2The next time period was the 1940s and 50s. I loved the views down the city streets. The street cars that you see were all running, too.

ej_3The details were really very cool. That Woolworths is full of figures and merchandise!

ej_10Here’s my attempt at showing the scale. Seriously huge.

ej_6The final time period was the 1970s. The buildings all looked more modern, and I liked the sculptures they included in the cityscapes.

ej_13A large portion of the display was bluffs and tunnels. Red buttons, like the one you see here, were scattered throughout the display. When you pressed them, you’d hear the noises that you’d hear in that place and time.

ej_8The whole time we were there I was keeping an eye out for a Milwaukee Road train car. My grandfather worked for them, and in one of the last scenes, I finally found one.

ej_11Signs like this were on the floor in some areas to give visitors a bit of an idea of what went into this. It took over a year to build, and it’s continuously updated.

ej_5The Train Journey also included some history about the railway system in the United States. I can’t pass up a picture of old travel posters.

ej_12Separate from the timeline, there was a replica of Cincinnati’s Coney Island as it appeared in 1965. All the rides were moving, including those tram cars you can see in the sky.

ej_7This display also included photos and memorabilia from Coney Island’s history.

ej_4Next we made our way to the Christmas train displays, which were not as impressive. Greg said that they were what he feared the whole thing would be like. That area did include Neil Young’s traveling train display (yes, the singer Neil Young). I liked his use of driftwood for this desert scene.

The funhouse was next, which included a lot of things that I’m sure a kid would enjoy. I insisted we go through the Mirror Maze, and led the way for a while, but then I got freaked out, so Greg had to take over to get us out of there. That’s the way things go with us sometimes.

Finally, we took the North Pole path that ended up in a kitchen with Mrs. Claus, where there was the promise of cookies. However, there were only three cookies left and three kids in the room with us, so guess who didn’t get a cookie. We bailed before we actually got to Santa.

It ended up being a really fun and kind of wacky way to spend the afternoon. Greg and I were both super impressed by the Train Journey. It is just really well done, and I can definitely see coming back when we have guests in town.

 

 

Zippered Pouches For Sale!

UPDATE

Thank you to those who purchased zippered pouches! The unsold ones have been shipped off to my sister Jenny who is opening retail shop in Dalton, Wisconsin. The shop is called The Fancy Tail Collective, so if you’re ever in Dalton, please check it out. In the meantime, if you’d like me to make another zippered pouch similar to these, let me know. I don’t have all the fabrics anymore, but I’ll see what I can do.

 

all-pouches_sm

Over the past several weeks, I found that I’ve had some time on my hands during the day. And my go-to activity when I have time on my hands is making zippered pouches. It’s what everyone does, right? Well, maybe it’s just me. But I did it five years ago, too. I use them for my makeup, for small crochet projects, as gifts, and more. They really do come in handy.

This time, however, I made so many—10 different ones—that I thought I’d try selling them. If you’re interested in any of these, leave me a message here, on Facebook, or e-mail me at c {dot} doyle {at} fuse {dot} net. All are made with 100% cotton fabric. And they are handmade, so they’re not flawless. Shipping is $3 or I’m happy to make other arrangements for local friends.

1. Flowers and Paperclips Pouch—SOLD

Orange and teal with white interior and two credit card pockets. Ruffled and banded on front only. Flat style; medium-weight interfacing. 8.5 inches wide, 5 inches tall.

flower-paperclip-pouch_smflower-paperclip-back_smflower-paperclip-interior_sm

2. Deer Pouch—SOLD

Gold and gray with gold interior. Flat style; medium-weight interfacing. 8.5 inches wide, 6 inches tall, 1.75 x 6.5-inch base.

deer-pouch_smdeer-pouch-interior_sm

3. Golden Pouch

Gold and red with multicolored interior. Open-mouth style; medium-weight interfacing. 9 inches wide, 5 inches tall, 3.5 x 6-inch base.

golden-pouch_sm golden-pouch-interior_sm

4. Navy and Orange Pouch—SOLD

Different fabric on front and back. Solid orange interior with credit card pocket. Open-mouth style; lightweight interfacing. 8.5 inches wide, 5.5 inches tall, 2.5 x 6-inch base.

navy-orange-pouch-a_sm navy-orange-pouch_sm navy-orange-pouch-interior_sm

5. Small Striped Pouch

Chartreuse, teal, and orange with teal interior. Open-mouth style; medium-weight interfacing. 8 inches wide, 5 inches tall, 3.5 x 5-inch base.

small-striped-pouch_sm small-striped-pouch-interior_sm

6. Large Orange Stripe Pouch

Chartreuse, teal, and orange with teal interior and credit card pocket. Open-mouth style; medium-weight interfacing. 11 inches wide, 7 inches tall, 4.5 x 7-inch base.

orange-stripe-pouch_smlarge-orange-striped-pouch_interior_sm

7. Octopus Pouch

Lime green and fuchsia with gray interior. Open-mouth style; medium-weight interfacing. 11 inches wide, 7 inches tall, 4.5 x 7-inch base.

octopus-pouch_sm octopus-pouch-interior_sm

8. Navy Floral Pouch

Navy and orange floral with navy and white bottom; orange interior with credit card pocket. Open-mouth style; lightweight interfacing. 11 inches wide, 7 inches tall, 4.5 x 7-inch base.

navy-floral-pouch_smnavy-floral-pouch_interior_sm

9. Foxy Pouch

Pink, gold, and yellow with multicolored interior. 5-inch wrist strap and interior credit card pocket. Open-mouth style; lightweight interfacing. 10 inches wide, 7 inches tall, 4.5 x 6-inch base.

foxy-pouch_sm foxy-pouch-interior_sm

10. Yellow Pleated Pouch—SOLD

Yellow, teal, red, and green with teal interior. 6-inch wrist strap and interior credit card pocket. Open-mouth style; lightweight interfacing. 10 inches wide, 7 inches tall, 4.5 x 6-inch base.

yellow-pleated-pouch_smyellow-pleated-pouch-interior_sm

Medallion Charity Quilt Top

medallion_chairI spent the last weekend in October at the annual OHcraft Sew-In, held this year at General Butler State Park in Carrollton, Kentucky. OHcraft is a group of sewing enthusiasts from Ohio, as well as Northern Kentucky and other surrounding states. The sew-in was organized by the awesome Kara Sanders and included swaps, a fabric destash table, and lots and lots of time to sew.

My main objective for the weekend was to work on a medallion quilt for Project Linus. I hadn’t done a medallion quilt before, and I decided a bright child’s quilt would be the place to start.

A medallion quilt is one with a central motif surrounded by borders that are either pieced or just one fabric. In the sketch that I drew, the central motif is actually several pinwheel blocks, followed by a round a four-patches, a round of flying geese, and finally, a plain fabric border.

medallion_sketchBefore the sew-in, I cut the pieces for the pinwheels, four-patches, and flying geese using bright colors from my stash and a zigzag fabric I was hoping to use up. Then I got down to sewing.

medallion_fourpatchesThe pinwheels came together easily using half-square triangles. Next, I made up the four-patches using that zigzag fabric. I grossly overestimated the number of four-patches I would need, so I had a lot of these left over. With the four-patches on, I squared up the quilt. Squaring up after each round is important to ensure the quilt maintains the intended shape. It’s easy to get those border strips out of whack.

medallion_geeseThe flying geese came next. I cut my goose fabric so that I could make a majority of the geese using the no-waste method. But because that makes four geese from one fabric, I created some single geese, too, to ensure I had the fabric variety I wanted.

As I was adding the geese, I realized that my design meant that all the geese seams really needed to match up with all the four-patch seams. That turned out to be a lot of seam matching.

Somehow, getting that far took me all afternoon and evening on Friday and most of the day on Saturday. Much, much longer than I had anticipated. Plus my geese points were butchered and the whole thing was looking pretty chaotic to me. So I put that project away for the rest of the weekend and picked it up this past weekend. My plan had been to just add a border of the zigzag fabric at this point, but that wasn’t working for me. So first I added a border of orange to try to calm things down.

medallion_orangeborderI would have liked to stop here, but the quilt was less than 40 inches wide at this point, and I wanted it to be bigger so a child could really wrap up in it. The zigzag border still wasn’t working for me, so I dug into my stash and found a fabric that to me looks like impressionistic Teenage Mutant Ninja Turtles.

medallion_border-fabricThat fabric is pretty chaotic, too, but I liked that it was darker and gave some weight to the final border. The quilt top is now about 48 x 60 inches.

medallion_topI had a ton of that border fabric, so I used it on the back of the quilt as well. That’s where I used up all those extra four-patches, too.

medallion_backNext up is the quilting. My plan is to use straight lines of quilting to help make the center and rounds stand out from each other. I’d love to get this one finished by the end of the year, but we’ll see how that plays out . . .

 

Hexie Succulent Garden

succlent1When I first wrote about making hexie blocks for the Bee Hive Swap, I really didn’t think I’d ever make any more. I mean, sure, it had its appeal. But that’s a lot of hand work. Then, this summer, with two family vacations and a surgery to recover from, I needed some hand work.

Even before I started the project, I came up with a name for the quilt. Since the block is named Grandmother’s Garden or Grandmother’s Flower Garden, I would make mine in all blues and greens and name it Grandmother’s Succulent Garden (succulent as in cacti, aloes, etc.). Great name! Now I had to make the quilt.

I rushed to gather supplies before my family’s trip to Michigan in July. I ordered the hexie templates from Amazon but didn’t realize how the templates were measured. The template size is the size of one side. So the templates I wanted would be 1″ hexies. I ordered 2″ hexies, thinking it would be the width of the shape, and they ended up being huge.

I looked and called around town and couldn’t find 1″ cardstock hexies, so I ended up buying some plastic templates from Joann.

hexie-templates

The plastic templates were certainly sturdy, but they were also very slippery. I had a heck of a time basting the fabric around them because the fabric would slip off center. But they worked well enough to keep me busy in Michigan.

Before my next trip, I did track down some 1″ cardstock hexies. The cardstock wasn’t as stiff as the templates I had received from Tara for the Bee Hive Swap, but they worked better than the plastic.

Finally, my mom sent me some fusible hexies made by Pieceful Patches. You fuse these to the back of your fabric, baste around the shape, and then remove the paper. The templates can be reused for as long as there’s fusible left to stick to the fabric. While the paper is thin, I did find that my finished hexies were the most accurate using these templates.

So using three different kinds of templates (!), I made hexies. Lots and lots of hexies. Well, 21 “flowers” to be exact.

succulent-2

succlent-3

succulent4

My first plan for a layout was to connect the flowers with a light fabric, so that each flower would stand out.

succlent-hexie-settingI ended up not liking that look as much as I thought I would. The flowers stood out almost too much, and I liked the way they looked in a group.

Rather than go through the pain of sewing more together only to change my mind, my dear husband created one flower shape in Illustrator for me. From there, I could duplicate the shape, change the colors, and try some different layouts.

Succulent1The first thing I learned was I couldn’t get a straight line of flowers if I wanted the edges of each one to be horizontal. (My thought with this layout is I could add patchwork of some kind below the hexies to make the piece closer to quilt size.)

Succulent3The edges would have to be at a slight angle for the line of flowers to be straight.

Succulent4Or I’d have to add filler hexies to keep the edges horizontal.

Succulent2Or if I made a lot more, I could just cluster them, and then the straightness wouldn’t matter as much.

So that’s where I am on this project. I have a name and 21 flower blocks. And I have a funny feeling that’s where it will sit for a while.