Pulse Blocks

Pulse blocks

After the tragedy at Pulse in Orlando, the Orlando Modern Quilt Guild decided to use their skills and resources to bring at least a little comfort to those directly effected. The Guild is organizing an effort to provide quilts to the survivors and the families of the victims.

Each quilt will be made from heart blocks using a tutorial from Cluck Cluck Sew, and all of the hearts are to be in rainbow colors.

The goal to make over 100 quilts is a huge one, so they’re looking for assistance from anyone who can help. A member of the OHCraft group that I’m part of saw the call, and she’s working with our members to make at least one quilt for Orlando.

The first step is to make blocks, so I created three. My stash is pretty light on rainbow colors on the red and purple side of things, but I did manage to find some fabrics in other colors that I thought would work.

Pulse orange

Pulse green

Pulse blue

I hate there are so many victims of violence like this that need comforting, but I’m glad to be able to be a small part of that comfort effort.

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Hexie Swap Block

Hexie step 5

Here we are at another month, and that means I’ve worked on another swap block for the Cincinnati Modern Quilt Guild! I really do like this hive structure for the swap (read more about it here) because I’m getting to try blocks and techniques I truly would not have tried on my own. This month that block is Grandmother’s Flower Garden and the technique is English paper piecing.

Tara was the Queen Bee for June and she provided everything we needed to make her block: instructions, the paper-piecing templates, and even the fabric! I just needed to add thread and stir.

Hexie step 1

The thing is I had never done English paper piecing before. I knew in theory what to do—fold the fabric around the template shape and then hand stitch the fabric hexagons together. So I did what I always do when I have to try something new: I put it off . . . and complained to Greg about how much work it was going to be. Then Greg said, “Well, what can you do to make the process easier?” And since I hadn’t started it yet, I didn’t really have an answer. So I had to stop complaining—at least to Greg.

I finally cut the jelly roll strips I received into 2.5-inch squares and thread-basted the fabric to the templates. To do this, I folded the fabric over one side, took two small stitches to hold the fold, then made running stitches to get to the next side. There I folded the fabric, took two small stitches, made my way over to the next side, and kept going. The basting took longer than I thought, and I was really having a tough time seeing why people liked this technique.

Hexie step 2

With all my pieces basted, I started to arrange the block, but the large dotted fabric I received was throwing me for a loop. Some pieces were primarily gray and others primarily light green, so they didn’t look very cohesive when I placed them randomly.

Hexie step 3

So I made the bold decision to arrange them like a pansy face. I preferred them that way—I hope Tara does, too.

Hexie step 4

Once I started piecing the hexagons together, I did understand the appeal of the technique. The methodical hand sewing was quite fun, and it went quickly, too.

Hexie step 5

Tara asked that we leave all the templates in the fabric so that she can remove them when she’s ready.

I feel a little bad that Tara is receiving this piece with all my beginner’s mistakes. My corners don’t all meet, and it’s not exactly flat either (as you can see by the giant shadow on the left). But I am glad I gave this technique a try, and I may buy my own set of templates to have around for when I need something to work on by hand.